Curiosity is one of the most powerful forces behind any story. Regardless of format or length, when something raises a question in the viewer’s mind, the desire to keep watching is activated — to understand, to discover what lies beyond.
Many of the stories we remember don’t begin with long explanations, but with something slightly out of place. A strange object, an unusual situation, a small decision that feels important. Curiosity is born at that exact moment, when normality is interrupted.
In cinema and visual storytelling, this technique has been used for decades. Not everything needs to be shown or explained. In fact, when a story leaves space for interpretation, the viewer fills in the gaps with their imagination, creating a much deeper level of engagement. Curiosity doesn’t just hold attention — it turns the audience into an active participant.
Mysterious objects are a classic way to trigger this effect. Boxes, locked doors, letters, old books… Simple elements, yet incredibly effective. They represent the unknown and immediately raise questions:
What’s inside? What will happen if it’s opened? Should it be opened at all?
This type of narrative works especially well in short formats. With limited time, the story relies more on atmosphere, emotion, and key decisions rather than detailed explanations. Curiosity becomes the thread that holds the entire experience together.
In one of my recent short films, I explored this idea by focusing on how a seemingly ordinary object can become the center of a story and set unexpected events in motion. The goal wasn’t to explain where the object came from, but to observe how the characters react when faced with the unknown.
This approach allows the story to breathe. Instead of providing immediate answers, it emphasizes tension, doubt, and anticipation. Often, what stays with the viewer isn’t what is shown, but what is merely suggested.
In a time where we are surrounded by fast content and constant explanations, stories that trust the viewer’s curiosity feel different. They invite closer attention, interpretation, and imagination — and those experiences tend to linger much longer in memory.
If you’re interested in short films that explore mystery, curiosity, and simple decisions with unexpected consequences, you can watch my latest work here:
👉 THE WOODEN BOX
During the lockdown of 2020 I started to take an interest in ANIMATION development. I don't know why because I've never shown an interest in this field before. The idea was I would make short films and perhaps put them on youtube and or elsewhere. I sought out then spent some time studying the most popular, which seemed to be Blender, Maya and Unreal Engine plus their many versions. What did become apparent about all of these tools is (especially from a filmmaking point of view) none of them could be used without outside help. I can't remember following a youtube tutorial where the tutor didn't use one of the above, let's say Unreal Engine, then halfway through take the project to Blender to do something or other then go back to Unreal Engine. I became increasingly frustrated with this approach. After I finished studying I decided on Unreal Engine purely because Maya, although quite useful, priced themselves out of the market for small independent filmmakers and B...



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